Ayin-i cem özelinde katharsis fenomeninin müzikteki görünümü
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Tarih
2022-07-19
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Batman Üniversitesi Lisansüstü Eğitim Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Psiko-etik bir kavram olan “katharsis”in Ayin-i Cem müzikleri özelinde gerçekleşme sürecinin “Thomass Scheff Katharsis Kuramı”ndan hareketle ele alındığı bu tez çalışması üç bölümden oluşmaktadır. Birinci bölümde katharsis kavramının etimolojik ve felsefi kökenine; psikolojik, kültürel ve dini yorumuna; Thomass Scheff Üçlü Katharsis teorisine, tragedya sanatı ögelerine ve katharsis-müzik ilişkisine değinilmiştir. İkinci bölümde Alevi-Bektaşi topluluklarının özellikleri, felsefeleri, yaşam biçimleri, tarihi süreçleri, gelenek ve görenekleri, Ayin-i Cem törenleri üzerinde durulmuş; üçüncü bölümde ise Ayin-i Cem törenlerinde yer alan mersiyeler üzerinden katharsis-söz ilişkisi; semahlar üzerinden ise katharsis-söz, makam, seyir, ritm ilişkisi ele alınarak analizlerle somutlaştırılmıştır.
Aristoteles’e göre katharsisin gerçekleştiği tragedyaların amacı acıma ve korku duyguları yaratarak insanı ruhsal dinginliğe ulaştırmanın yanı sıra tutkulardan arındırmaktır. Katharsis, ilk anlamı dışında zamanla dini yönü ağır basan bir kavram haline gelmiştir. Dolayısıyla katharsis acıma ve korku duyguları uyandırmanın yanı sıra dini duygularla da desteklendiğinde gerçekleşme durumu daha da artan bir olgu haline gelmiştir.
Bahsi geçen ögelerin varlık bulduğu Ayin-i Cem törenleri, ruhsal arınma gerçekleşirken müzik, dini danslar ve dualar ile desteklenen Alevi-Bektaşi dini ritüellerdir. Bu minvalde yapılan analizler sonucunda Ayin-i Cem törenlerinin alt bileşenleri olan müzik eserlerinin ve dini dansların kişilerde kathartik etki yarattığı görülmüştür.
This thesis study consists of three parts, taking the "Thomass Scheff Catharsis Theory" of the realization process of "catharsis", which is a psycho-ethical concept, specifically to Ayin-i Cem music. In the first chapter, the etymological and philosophical origins of the concept of catharsis; psychological, cultural and religious interpretation; Thomass Scheff Triple Catharsis theory, elements of tragic art and the relationship between catharsis and music are mentioned. In the second part, the characteristics of the Alevi-Bektashi communities, their philosophies, lifestyles, historical processes, traditions and customs, Ayin-i Cem ceremonies are emphasized. In the third part, the relationship between catharsis and speech through elegies in Ayin-i Cem ceremonies; On the other hand, through the semahs, the relationship between catharsis-lyric, mode, course, rhythm has been discussed and embodied with analyzes. According to Aristotle, the purpose of the tragedies in which catharsis takes place is to create feelings of pity and fear, as well as to bring people to spiritual serenity, as well as to purify them from passions. Catharsis, apart from its first meaning, has become a concept with a predominant religious aspect over time. Therefore, when catharsis is supported by religious feelings as well as evoking feelings of pity and fear, its realization has become even more of a phenomenon. Ayin-i Cem ceremonies, in which the aforementioned elements come into existence, are Alevi-Bektashi religious rituals supported by music, religious dances and prayers while spiritual purification takes place. As a result of the analyzes made in this way, it has been seen that musical works and religious dances, which are the sub-components of Ayin-i Cem ceremonies, have a cathartic effect on people.
This thesis study consists of three parts, taking the "Thomass Scheff Catharsis Theory" of the realization process of "catharsis", which is a psycho-ethical concept, specifically to Ayin-i Cem music. In the first chapter, the etymological and philosophical origins of the concept of catharsis; psychological, cultural and religious interpretation; Thomass Scheff Triple Catharsis theory, elements of tragic art and the relationship between catharsis and music are mentioned. In the second part, the characteristics of the Alevi-Bektashi communities, their philosophies, lifestyles, historical processes, traditions and customs, Ayin-i Cem ceremonies are emphasized. In the third part, the relationship between catharsis and speech through elegies in Ayin-i Cem ceremonies; On the other hand, through the semahs, the relationship between catharsis-lyric, mode, course, rhythm has been discussed and embodied with analyzes. According to Aristotle, the purpose of the tragedies in which catharsis takes place is to create feelings of pity and fear, as well as to bring people to spiritual serenity, as well as to purify them from passions. Catharsis, apart from its first meaning, has become a concept with a predominant religious aspect over time. Therefore, when catharsis is supported by religious feelings as well as evoking feelings of pity and fear, its realization has become even more of a phenomenon. Ayin-i Cem ceremonies, in which the aforementioned elements come into existence, are Alevi-Bektashi religious rituals supported by music, religious dances and prayers while spiritual purification takes place. As a result of the analyzes made in this way, it has been seen that musical works and religious dances, which are the sub-components of Ayin-i Cem ceremonies, have a cathartic effect on people.
Açıklama
Anahtar Kelimeler
Alevi-Bektaşilik, Ayin-i Cem, Katharsis, Mersiye, Müzik, Semah, Thomass Scheff, Tragedya, Alevi-Bektashism, Catharsis, Elegy, Music, Tragedy
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Kılıç, Y. (2022). Ayin-i cem özelinde katharsis fenomeninin müzikteki görünümü. (Yayınlanmamış Yüksek Lisans Tezi). Batman Üniversitesi Lisansüstü Eğitim Enstitüsü, Batman.
