Takının tarihsel gelişimi ve Mardin’de telkari işlemeciliği
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Tarih
2024-09-30
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Batman Üniversitesi Lisansüstü Eğitim Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Takı, binlerce yıl boyunca insanların kendilerini güzel hissetme duygusunun yanında tüm uygarlıklarda farklı amaçlar ve inanışlar için de kullanılmıştır. Uygarlıkların kültür ve geleneklerinin en önemli yansıtıcısı olan takılar, süslenmenin en vazgeçilmez unsuru haline gelmiş; gelenek, görenek ve inançla beslenerek biçimlenmiştir. Takılar, kendini güzel göstermek, dikkat çekmek, dinsel inanışlara bağlı olarak nazar, hastalık, çeşitli zararlardan korunmak amaçlı kullanılmasının yanı sıra ölü hediyesi ve tanrılara sunu amaçlı da kullanılmıştır. Takıların mezarlarda ölü hediyesi ve ölü takısı olarak bırakılması da bu eserlerin günümüze kadar ulaşmasını sağlamıştır.
Tarihte ilk takılar yerleşik düzene geçilmediği Paleolitik Çağ'da, avlanan hayvanların kemik ve dişlerinden yapılmıştır. Daha sonraki dönemlerde teknik ve malzeme çeşitlenerek her bir uygarlık kendi zengin kültürünü ve tasarımını ortaya koyarak takı sanatını meydana getirmiştir.
Mardin ili Midyat İlçesinde bulunan atölyelerde yoğun olarak üretilen telkârinin tüm üretim aşamaları yazı ve resimlerle kayıt altına alınmıştır. Bu çalışmada ayrıca, binbir çeşit formda üretilen Mardin’in telkari takılarına, Paleolitik Çağ’dan başlayarak Osmanlı Dönemi’ne kadar geçirdiği serüven özellikle yakın çevre dikkate alınarak irdelenmiştir.
Jewelry has been used for thousands of years for people to feel beautiful, as well as for different purposes and beliefs in all civilizations. Jewelry, which is the most important reflection of the culture and traditions of civilizations, has become the most indispensable element of decoration; It has been shaped by being nourished by tradition, custom and belief. In addition to being used to make oneself look beautiful, to attract attention, to protect against the evil eye, disease and various damages that may be caused by devils and evil spirits depending on religious beliefs, jewelery was also used as gifts for the dead and as an offering to the gods. Leaving jewelry in graves as gifts and funeral jewelry has enabled these works to survive until today. The first jewelry was made from the bones and teeth of hunted animals in the Paleolithic Age, when humans had not yet settled down. Human beings have shaped natural materials such as easily shaped colored stones, teeth, horns, bones and nail parts, and shells of land and sea molluscs by abrading and scraping; Each civilization has created the art of jewelry by revealing its own rich culture and design. All production stages of filigree, which is produced intensively in workshops in Midyat District of Mardin province, have been recorded with writings and pictures. In this study, the journey of Mardin's filigree jewelry, produced in many different forms, from the Paleolithic Age to the Ottoman Period, was recorded, especially considering the near environment.
Jewelry has been used for thousands of years for people to feel beautiful, as well as for different purposes and beliefs in all civilizations. Jewelry, which is the most important reflection of the culture and traditions of civilizations, has become the most indispensable element of decoration; It has been shaped by being nourished by tradition, custom and belief. In addition to being used to make oneself look beautiful, to attract attention, to protect against the evil eye, disease and various damages that may be caused by devils and evil spirits depending on religious beliefs, jewelery was also used as gifts for the dead and as an offering to the gods. Leaving jewelry in graves as gifts and funeral jewelry has enabled these works to survive until today. The first jewelry was made from the bones and teeth of hunted animals in the Paleolithic Age, when humans had not yet settled down. Human beings have shaped natural materials such as easily shaped colored stones, teeth, horns, bones and nail parts, and shells of land and sea molluscs by abrading and scraping; Each civilization has created the art of jewelry by revealing its own rich culture and design. All production stages of filigree, which is produced intensively in workshops in Midyat District of Mardin province, have been recorded with writings and pictures. In this study, the journey of Mardin's filigree jewelry, produced in many different forms, from the Paleolithic Age to the Ottoman Period, was recorded, especially considering the near environment.
Açıklama
Anahtar Kelimeler
Gümüş, Mardin, Midyat, Takı, Telkari, Silver, Jewelry, Filigree
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Arslan, C. (2024). Takının tarihsel gelişimi ve Mardin’de telkari işlemeciliği. (Yayınlanmamış Yüksek Lisans Tezi). Batman Üniversitesi Lisansüstü Eğitim Enstitüsü, Batman.
