Sanatta çileli beden metaforu
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Dosyalar
Tarih
2021-03
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Batman Üniversitesi Sosyal Bilimler Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-ShareAlike 3.0 United States
Attribution-NonCommercial-ShareAlike 3.0 United States
Özet
Bu çalışmada, insanoğlunun varoluş serüveninde kendi bedenine yönelik eleştirel ve protest dilin, sanat
literatüründe nasıl ve ne şekilde yer aldığı sorunsalı üzerinde durulmuş vebir anlatım dili oluşturulmaya
çalışılmıştır. Bu anlatım dilinin “çile metaforu” kullanılarak bir dönüşüm ve değişimeuğrama hali, çeşitli
örneklerle tartışmaya açılmış ve yeni önermeler ortaya konulmuştur. Bu doğrultuda;
Çalışmanın ikinci bölümünde “Sanatta Beden ve Çileli Beden”başlığı altında vebu iki kavramın kendi
aralarındaki etkileşim ve çatışma noktalarına açıklık getirilmiş, sanat tarihsel ve felsefi kaynaklar
zemininde tartışmaya açılmıştır. Böylece “çileli beden” kavramıçarpıcı ve protest örneklerlebu bölümün
temelyapı taşını oluşturmuştur. Çalışmanın üçüncü bölümünde ise“metafor” kavramı üzerinde durularak
“çileli bedenle” arasındaki ilişki ortaya konulmuş,Ortaçağ kilise öğretilerinden, Rönesans
eserlerine,aydınlanma düşüncesinden, modernist fikir ve yaklaşımlara kadar olan örneklerden bir yelpaze
oluşturulmaya çalışılmıştır. Ayrıca bu bölümde modernizm ve post-modernizm kavramlarının yol açtığı
kaos ortamına değinilmiş, teknolojik gelişmeler ve yeni tüketim modelleriyle birlikte yeniden inşa edilen
“beden” kavramı irdelenmiştir.Çalışmanın dürdüncü bölümünde ise Foucault ve Bourdieu’nun beden
kavramına yönelik fikirlerine yer verilmiş, bedene yönelik bilinçaltımıza kazınmışolan olumsuz öğretiler
ve düşünce sistematiği üzerinde durularak yeni sanatsal eğilimlerden bahsedilmiştir. Ayrıca 2000’li
yıllardan sonra küreselleşmenin etkisiylesansasyonel algı oluşturmayayönelik gösteriler
vesanathareketleri de bu bölüm çatısı altında toplanmıştır. Son olarak çalışmanın beşinci bölümünde ise
konuya ilişkin yapılmış olan görsel çalışmalara ve kavramsal açıklamalarınayer verilmiştir.
In this adventure of human existence, the critical and protest language for their own body, the problem of how and what place to learn in art literature has been emphasized and a language of expression has been tried to be formed. The transformation and change of this expression language, translated as the "metaphor of suffering", has been discussed with various examples and new recommendations have been put forward. In this direction; In the second part of the study, under the title of "Body in Art and the Suffering Body", the interaction and conflict points between these two concepts were clarified, art was opened to discussion on the basis of historical and philosophical sources. Thus, the concept of "suffering body" formed the basic building block of this section with striking and protest examples. In the third part of the study, the concept of "metaphor" was emphasized and the relationship between "suffering body" was revealed. An attempt has been made to create a range of examples from medieval church teachings, Renaissance works, Enlightenment thought, Modernist ideas and approaches. In addition, the chaos environment caused by the concepts of modernism and post-modernism is mentioned in this section, and the concept of "body", which is reconstructed with technological developments and new consumption models, is examined. In the fourth part of the study, Foucault and Bourdieu's ideas about the concept of body are included, and new artistic tendencies are mentioned by emphasizing the negative teachings and thought systematics that are engraved in our subconscious about the body. In addition, after the 2000s, demonstrations and art movements aimed at creating sensational perception with the effect of globalization have been gathered under the roof of this section. Finally, in the fifth part of the study, visual studies and conceptual explanations on the subject are included.
In this adventure of human existence, the critical and protest language for their own body, the problem of how and what place to learn in art literature has been emphasized and a language of expression has been tried to be formed. The transformation and change of this expression language, translated as the "metaphor of suffering", has been discussed with various examples and new recommendations have been put forward. In this direction; In the second part of the study, under the title of "Body in Art and the Suffering Body", the interaction and conflict points between these two concepts were clarified, art was opened to discussion on the basis of historical and philosophical sources. Thus, the concept of "suffering body" formed the basic building block of this section with striking and protest examples. In the third part of the study, the concept of "metaphor" was emphasized and the relationship between "suffering body" was revealed. An attempt has been made to create a range of examples from medieval church teachings, Renaissance works, Enlightenment thought, Modernist ideas and approaches. In addition, the chaos environment caused by the concepts of modernism and post-modernism is mentioned in this section, and the concept of "body", which is reconstructed with technological developments and new consumption models, is examined. In the fourth part of the study, Foucault and Bourdieu's ideas about the concept of body are included, and new artistic tendencies are mentioned by emphasizing the negative teachings and thought systematics that are engraved in our subconscious about the body. In addition, after the 2000s, demonstrations and art movements aimed at creating sensational perception with the effect of globalization have been gathered under the roof of this section. Finally, in the fifth part of the study, visual studies and conceptual explanations on the subject are included.
Açıklama
Anahtar Kelimeler
Beden, Çileli Beden, Metafor, Body, Body Suffering, Metaphor
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Güç, L. (2021). Sanatta çileli beden metaforu. (Yayınlanmamış Yüksek Lisans Tezi). Batman Üniversitesi Sosyal Bilimler Enstitüsü, Batman.
