Bâkî Fuzûlî Şeyhülislâm Yahyâ ve Nedîm divanlarında haz kavramı
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Tarih
2015-01
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Journal of Turkish Studies
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-ShareAlike 3.0 United States
Attribution-NonCommercial-ShareAlike 3.0 United States
Özet
Mutluluk uyandıran, zevk veren tüm duyguların karşılığı olarak
kullanılan haz kavramı, Divân şiirinde çok sık olarak işlenen
temalardandır. Haz, şâirlerin hazza bakışlarına, kişisel özelliklerine,
mensubu olduğu düşüncelere, bağlı olduğu tarikatlara göre farklılık arz
etmektedir. Bazı şâirler, şiirlerinde dünyevi arzuları, bedensel zevkleri
işlerken bazı şâirler ise manevîyattan, aşk ve aşkın hallerinden
duydukları zevki konu edinmektedirler.
Kişinin haz kavramını ele alması, kişiyi hazzı yaşayan biri haline
getirmez. Kişinin hazzı yaşayan, onu tadan biri olması için hazzı
hayatının merkezine oturtup ona dair bir felsefî altyapı oluşturması
gerekmektedir. Haz kavramını ele alan birçok Divân şâirinin bu felsefî
ve düşünsel altyapıyı oluşturduklarını, aşk kavramını ele alırken bu
felsefî ve düşünsel altyapıdan hareket ettiklerini görürüz. Şâirlerin
kendilerini rind, âşık, mutasavvıf, zahid olarak tanıtmaları onların
aldıkları hazzın felsefî arka planı hakkında bilgiler verir. Ama Divân
şiirinin klişe yapısı içinde, hazzın da klişe bir kavram olarak
kullanıldığına şahit olmaktayız. Hayatı boyunca içkinin bir damlasını
ağzına almayan, meyhânenin yolunu bile bilmeyen şeyhülislâmların
şarabın ve meyhânenin verdiği zevkten başlarının nasıl döndüğünü
ballandırarak anlattığı görülür. Peki bunu nasıl izah etmeliyiz? Bunu
izah için de devreye Divân şiirinin sembol dili girmekte; şarap, meyhâne
gibi kavramlar tasavvufun sembolik dilindeki anlamlarıyla düşünmemiz
gerekmektedir ki şâirlerin asıl maksatlarını ne olduğunu anlayabilelim.
Bu çalışmamızda Divân şiirinin dört büyük şâiri Bâkî, Fuzûlî,
Şeyhülislâm Yahyâ ve Nedîm’in divânlarında hazzı nasıl ele aldıklarını
incelemeye çalışacağız.
As a response to all feelings that arouse happiness and pleasure The concept of pleasure, which is used very often in Divan poetry, one of the themes. Pleasure, poets' view of pleasure, personal characteristics, It differs according to the thoughts to which it is a member and the sects to which it is affiliated. is doing. Some poets express worldly desires and bodily pleasures in their poems. while some poets are talking about spirituality, love and the states of love. they talk about their pleasure. The person's handling of the concept of pleasure turns the person into a person who experiences pleasure. it doesn't. Pleasure for one to be one who experiences pleasure, who tastes it. to place it at the center of his life and create a philosophical infrastructure about it. required. This philosophical view of many Divan poets who deal with the concept of pleasure and that they form the intellectual infrastructure, while addressing the concept of love, this We see that they act from a philosophical and intellectual infrastructure. of poets introducing themselves as rind, lover, mystic, ascetic. gives information about the philosophical background of the pleasure they receive. But the Divan within the cliché structure of his poetry, and your pleasure as a cliché concept. We witness its use. One drop of your drink all your life Shaykh al-Islams who do not take it into their mouths and do not even know the way to the tavern how they were dizzy from the pleasure of wine and tavern it is seen that he narrated it by balling it. So how should we explain this? this much The symbolic language of Divan poetry comes into play for explanation; wine, tavern concepts such as Sufism with their meanings in the symbolic language, we need to think. It is necessary that we can understand what the real purposes of the poets are. In this study, the four great poets of Divan poetry, Bâkî, Fuzûlî, How Shaykh al-Islam Yahya and Nedim dealt with pleasure in their divans. We will try to examine.
As a response to all feelings that arouse happiness and pleasure The concept of pleasure, which is used very often in Divan poetry, one of the themes. Pleasure, poets' view of pleasure, personal characteristics, It differs according to the thoughts to which it is a member and the sects to which it is affiliated. is doing. Some poets express worldly desires and bodily pleasures in their poems. while some poets are talking about spirituality, love and the states of love. they talk about their pleasure. The person's handling of the concept of pleasure turns the person into a person who experiences pleasure. it doesn't. Pleasure for one to be one who experiences pleasure, who tastes it. to place it at the center of his life and create a philosophical infrastructure about it. required. This philosophical view of many Divan poets who deal with the concept of pleasure and that they form the intellectual infrastructure, while addressing the concept of love, this We see that they act from a philosophical and intellectual infrastructure. of poets introducing themselves as rind, lover, mystic, ascetic. gives information about the philosophical background of the pleasure they receive. But the Divan within the cliché structure of his poetry, and your pleasure as a cliché concept. We witness its use. One drop of your drink all your life Shaykh al-Islams who do not take it into their mouths and do not even know the way to the tavern how they were dizzy from the pleasure of wine and tavern it is seen that he narrated it by balling it. So how should we explain this? this much The symbolic language of Divan poetry comes into play for explanation; wine, tavern concepts such as Sufism with their meanings in the symbolic language, we need to think. It is necessary that we can understand what the real purposes of the poets are. In this study, the four great poets of Divan poetry, Bâkî, Fuzûlî, How Shaykh al-Islam Yahya and Nedim dealt with pleasure in their divans. We will try to examine.
Açıklama
Anahtar Kelimeler
Haz, Maddî Haz, Manevî Haz, Bâkî, Fuzûlî, Şeyhülislâm Yahyâ, Nedîm, Pleasure, Earthly Pleasure, Spiritual Pleasure, Shaykh al-Islam Yahya
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
10
Sayı
4
Künye
Bozkurt, K. (2015). Bâkî Fuzûlî Şeyhülislâm Yahyâ ve Nedîm divanlarında haz kavramı. Journal of Turkish Studies, 10 (4), ss.215-256. DOI:http://dx.doi.org/10.7827/TurkishStudies.7812
