Hayali Bey Divanı’nda poetik söylem bağlamında tefahür
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Tarih
2019-11-28
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Mukaddime
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-ShareAlike 3.0 United States
Attribution-NonCommercial-ShareAlike 3.0 United States
Özet
Klasik şiiri Fars edebiyatı seviyesine getirme hususunda emeği inkâr
edilemeyen Hayâlî Bey, Kalenderî grubuyla adım attığı İstanbul’da şairlik
dehasıyla kendini ispatlamış, devlet ricalinin hamiliğini kesp ederek klasik
şiirin zirve şahsiyetlerinden birisi olmuştur. Sanatçı kişiliği, çağdaşları
tarafından takdir edilerek “sultânü’ş-şuârâ-yı Rûm” unvanıyla
onurlandırılmıştır. Ancak şair, Osmanlı patronaj geleneğinin bir gereği
olarak söz söylemedeki ustalığını, şairlik dehasını kasidelerin fahriye ve
gazellerin makta bölümünde ortaya koyarak tefahürde bulunmuştur.
Aslında bu bölümler, şairin kendisini övmesi için uygun bir fırsatın
yaratıldığı bölümlerdir. Bu bölümde şair, şairlik kudretinden,
erdemlerinden, ne kadar usta bir şair olduğundan abartılı bir şekilde
bahseder ve kendisiyle diğer şairler arasında bir mukayeseye girerek
üstünlük iddiasında bulunur.
Bu çalışmamızda Hayâlî Bey’in Divânı, tefahür bağlamında taranarak
şairin tefahürde bulunduğu beyitler tespit edilmiş ve bu beyitler, şairin
poetik söylemi bağlamında incelenmiştir.
As one of the celebrated poets of his time, Hayalî Bey whose effort to bring the classical poetry to the level of Persian literature cannot be denied. By stepping with a Kalender group in Istanbul, he proved himself with the brilliance of poetry and became one of the most prominent figures of classical poetry by obtaining the patronage of the state dignitaries.The poet, who has a wise and creative artistic identity, was honoured by his contemporaries for his success in the arts with the title of "sultânü's-şuârâ-yı Rûm". However, as a requirement of the Ottoman patronage tradition, the poet boasted of himself by revealing his eloquence genius in the eulogy chapter of the odes and in the ending grain chapter of the ghazals. In fact, these chapters are parts where a suitable opportunity has been created for the poet to boast of himself. In this chapter, the poet, by exaggeratedly mentioning his ability, virtues and what a master he is, claims superiority by making a comparison between himself and other poets. In this study, the concept of boasting has been discussed, the whole poetry of Hayali Bey and the chapters about the poesy of the poet with regards to boasting have been examined
As one of the celebrated poets of his time, Hayalî Bey whose effort to bring the classical poetry to the level of Persian literature cannot be denied. By stepping with a Kalender group in Istanbul, he proved himself with the brilliance of poetry and became one of the most prominent figures of classical poetry by obtaining the patronage of the state dignitaries.The poet, who has a wise and creative artistic identity, was honoured by his contemporaries for his success in the arts with the title of "sultânü's-şuârâ-yı Rûm". However, as a requirement of the Ottoman patronage tradition, the poet boasted of himself by revealing his eloquence genius in the eulogy chapter of the odes and in the ending grain chapter of the ghazals. In fact, these chapters are parts where a suitable opportunity has been created for the poet to boast of himself. In this chapter, the poet, by exaggeratedly mentioning his ability, virtues and what a master he is, claims superiority by making a comparison between himself and other poets. In this study, the concept of boasting has been discussed, the whole poetry of Hayali Bey and the chapters about the poesy of the poet with regards to boasting have been examined
Açıklama
Anahtar Kelimeler
Hayâlî Bey, Divân, Gazel, Kaside, Tefahür, Hayali Bey, Divan, Ghazal, Ode, Boasting
Kaynak
WoS Q Değeri
N/A
Scopus Q Değeri
Cilt
10
Sayı
2
Künye
Bozkurt, K., Bezenmiş, T. (2019). Hayali Bey Divanı’nda poetik söylem bağlamında tefahür. Mukaddime, 10 (2), ss.619-642. DOI:https://doi.org/10.19059/mukaddime.549048
